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A wreck, a remnant, yet the same,

What does the reader suppose was the source of the most ominous thought which forced itself upon my mind, as I walked the decks of the mighty vessel? Not the sound of the rushing winds, nor the sight of the foam-crested billows; not the sense of the awful imprisoned force which was wrestling in the depths below me. The ship is made to struggle with the elements, and the giant has been tamed to obedience, and is manacled in bonds which an earthquake would hardly rend asunder. No! It was the sight of the boats hanging along at the sides of the deck,--the boats, always suggesting the fearful possibility that before another day dawns one may be tossing about in the watery Sahara, shelterless, fireless, almost foodless, with a fate before him he dares not contemplate. No doubt we should feel worse without the boats; still they are dreadful tell-tales. To all who remember G��ricault's Wreck of the Medusa,--and those who have seen it do not forget it,--the picture the mind draws is one it shudders at. To be sure, the poor wretches in the painting were on a raft, but to think of fifty people in one of these open boats! Let us go down into the cabin, where at least we shall not see them.

I heard a curious statement which was illustrated in the person of one of the gentlemen we met at this table. It is that English sporting men are often deaf on one side, in consequence of the noise of the frequent discharge of their guns affecting the right ear. This is a very convenient infirmity for gentlemen who indulge in slightly aggressive remarks, but when they are hit back never seem to be conscious at all of the riposte,--the return thrust of the fencer.

I well remembered my visit to Stratford in 1834. The condition of the old house in which Shakespeare was born was very different from that in which we see it to-day. A series of photographs taken in different years shows its gradual transformation since the time when the old projecting angular sign-board told all who approached "The immortal Shakespeare was born in this House." How near the old house came to sharing the fortunes of Jumbo under the management of our enterprising countryman, Mr. Barnum, I am not sure; but that he would have "traded" for it, if the proprietors had been willing, I do not doubt, any more than I doubt that he would make an offer for the Tower of London, if that venerable structure were in the market. The house in which Shakespeare was born is the Santa Casa of England. What with my recollections and the photographs with which I was familiarly acquainted, it had nothing very new for me. Its outside had undergone great changes, but its bare interior was little altered.

A stentorian voice, hard as that of Rhadamanthus, exclaims,--

"The air bites shrewdly, it is very cold."

"Here lies on either side, the remains of each of his former wives."

For the lyric poets the cuckoo is "companion of the spring," "darling of the spring;" coming with the daisy, and the primrose, and the blossoming sweet-pea. Where the sound came from I could not tell; it puzzled Wordsworth, with younger eyes than mine, to find whence issued

The pressure for entrance that evening was very great, and I, coming after my dinner with the Literary Club, was late upon the ground. The places for "distinguished guests" were already filled. But all England was in a conspiracy to do everything possible to make my visit agreeable. I did not take up a great deal of room,--I might be put into a seat with the ambassadors and foreign ministers. And among them I was presently installed. It was now between ten and eleven o'clock, as nearly as I recollect. The House had been in session since four o'clock. A gentleman was speaking, who was, as my unknown next neighbor told me, Sir Michael Hicks-Beach, a leading member, as we all know, of the opposition. When he sat down there was a hush of expectation, and presently Mr. Gladstone rose to his feet. A great burst of applause welcomed him, lasting more than a minute. His clean-cut features, his furrowed cheeks, his scanty and whitened hair, his well-shaped but not extraordinary head, all familiarized by innumerable portraits and emphasized in hundreds of caricatures, revealed him at once to every spectator. His great speech has been universally read, and I need only speak of the way in which it was delivered. His manner was forcible rather than impassioned or eloquent; his voice was clear enough, but must have troubled him somewhat, for he had a small bottle from which he poured something into a glass from time to time and swallowed a little, yet I heard him very well for the most part. In the last portion of his speech he became animated and inspiriting, and his closing words were uttered with an impressive solemnity: "Think, I beseech you, think well, think wisely, think not for a moment, but for the years that are to come, before you reject this bill."

It would have been a great thing to pass a single night close to the church where Shakespeare's dust lies buried. A single visit by daylight leaves a comparatively slight impression. But when, after a night's sleep, one wakes up and sees the spire and the old walls full before him, that impression is very greatly deepened, and the whole scene becomes far more a reality. Now I was nearly a whole week at Stratford-on-Avon. The church, its exterior, its interior, the birthplace, the river, had time to make themselves permanent images in my mind. To effect this requires a certain amount of exposure, as much as in the case of a photographic negative.